![]() There, she was involved with the post modern dance scene out of Judson Memorial Church, and worked as a studio manager for her friend and Black Mountain College classmate Robert Rauschenberg. ![]() (After the Bauhaus was shut down during World War II, Black Mountain College became a haven for many European intellectuals Albert Einstein sat on the board.) It’s there that Rockburne encountered the math education - particularly, the topology and astronomy teachings of German-born mathematician Max Dehn - which would permeate and shape her subsequent work as she settled into the downtown art scene of New York City starting in 1954. Rockburne, who grew up in Montreal, left to attend the radical Black Mountain College in North Carolina although it closed in 1956, the school’s impact on culture was - and is - huge. And even though the mathematical structure is the same, it’s a new work - a different work.” Her black cat quickly followed suit, abandoning his post atop a filing cabinet in the studio. First of all, there are no hardware stores anymore, and none of those materials exist,” says Rockburne, seated on the couch in her living room. “When I made it the first time, I lived on Chambers Street, and I bought all the materials across the street at the hardware store. The artist, 85, has spent the spring commuting up to the Beacon art museum in the Hudson Valley, where she’s been busy installing several of her large-scale works, including a re-creation of her 1973 piece “Domain of the Variable.” That installation, which is informed by set theory, will open next month, followed by an additional gallery of her work later this year which explores the Golden Mean, which incorporates her studies and admiration of Egypt.Īlthough the new installation is based on the same math-based calculations as the original (painter Carroll Dunham was one of her assistants), it has emerged as, essentially, an original piece. ![]() For an artist studio, the space seems particularly organized, although it feels like a complementary setup for Rockburne’s math-based creations. Several of her works, explorations of astronomy, are arranged on the wall in an orderly fashion a model of her upcoming exhibit at Dia:Beacon sits on a table underneath the canopy of lined-up lamps. “My work is sort of a fools dream,” says Dorothea Rockburne from inside her artist studio in SoHo - palatial, by modern Manhattan real estate standards - where she’s lived and worked for several decades. ![]()
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